Roly-Poly
2017
Intaglio with Collage
20" x 15"

2-Plates, incorporating: line etching, rosin and spray paint aquatints, lift ground, paper litho transfer, drypoint, and sanding; with painted and printed collage

Plate Size: 9" x 12"

Paper Size: 15" x 20"


Photographed by Tory Stolen

Maps (a key)
2016
Line Etching and Gouache
18" x 19.5"

Printed from 3 plates, incorporating: line etching with hand-painted gouache


Plate Size: 18" x 19.5"

Paper Size: 20.75" x 22"


Photographed by Tory Stolen

and branching
2016
Printed (spit bite, relief, line etching, archival pigment print), drawn (graphite, color pencil, ink, marker), and gouache collage with cut paper on cotton rag board
22" x 22"
letter after
2017
Intaglio

3 plates, incorporating: line etching, soft ground, spit bite, paper litho transfer, rosin and spray paint aquatints, drypoint, roulette, scraping, sanding, burnishing

Plate size: 9" x 12"

X-Ray
2016
Rosin Spit Bite and Spray Paint Aquatints, Scraping, Sanding, and Burnishing
Plate Size: 17.75" x 19.25"
Everyday Is: A suite of tiny etchings capturing glimpses of the quotidian
2016
The opposite side of the wall on which "Half-Moon Mariner, on fire" was installed featured this installation of etchings.

Support for this project was provided with funds from the State of South Dakota, through the Department of Tourism and the National Endowment for the Arts.

Photographed by South Dakota State University in the Women at Work exhibit at the South Dakota Art Museum in Brookings.
Everyday Is: A suite of tiny etchings capturing glimpses of the quotidian
2016
The opposite side of the wall on which "Half-Moon Mariner, on fire" was installed featured this installation of etchings.

Support for this project was provided with funds from the State of South Dakota, through the Department of Tourism and the National Endowment for the Arts.

Photographed by South Dakota State University in the Women at Work exhibit at the South Dakota Art Museum in Brookings.
TIPPY
2016
Spit bite aquatint

Plate Size: 4" x 4.25"

Paper Size: 12" x 10"


Printed from 3 steel-faced plates

Ric-Rac
2016
Lift ground and spit bite aquatints

Plate Size: 4" x 4.25"

Paper Size: 12" x 10"


Printed from 2 steel-faced plates

Half-Moon Mariner, on fire
2017
Cut and layered works on paper, including: ink, spit bite and lift ground aquatints, line etching, linocut, screenprint, letterpress, color pencil, gouache, graphite, rubylith film, marker, and pigment ink jet transfer on Hannemuhle Copperplate, Yupo, Duralar, Mulberry, Fabriano, Cartiera Magnani, Lanaquarelle, and Color Aid papers
8' x 7' x 2'
Constructed in the Women at Work exhibit at the South Dakota Art Museum in Brookings. Photographed by South Dakota State University.
Half-Moon Mariner, on fire (detail)
This detail: cut gouache painted paper, laser cut relief
Half-Moon Mariner, on fire (detail)
This detail: graphite, ink, relief, etching, and alcohol gel photo transfer on various papers; paint marker on Duralar; cut Rubylith
Half-Moon Mariner, on fire (detail)
This detail: linocut on Mulberry paper
Index of the Map
2016
Assorted cut remnants, including: letterpress, stone lithograph, etching, screenprint, relief, color pencil, gouache, archival pigment print, and ink on cotton rag board
middle way
2016
Printed (cut etching, relief, letterpress, monotype, solar plate, pigment inkjet print and transfer), painted (gouache, watercolor), and drawn (graphite, ink, color pencil, pen) collage; cut paper on cotton rag board
16" x 16"

"Everything was either very right or very wrong—with no middle way."

Carson McCullers in The Heart Is a Lonely Hunter

for unbound holdings
2016
Cut screenprint with graphite, color pencil, and gouache; printed (laser-cut linocut, spit bite, archival pigment print, monotype), drawn (color pencil, pen), and painted (gouache, watercolor) collage; Color Aid paper on cotton rag board
24" x 18"
Super Sweet Sweet
2016
Cut and layered works on paper, including: ink, spit bite aquatint, laser cut linocut, color pencil, gouache, graphite, and pigment ink jet transfer on Hannemuhle Copperplate, Coventry Rag, Yupo, Mulberry, Arches Rag, Lanaquarelle, and Color Aid papers
Approx. 60" x 46"
Constructed at the Kimmel Harding Nelson Center for the Arts in Nebraska City
Super Sweet Sweet (detail)
This detail: relief, hand-cut ink and Color Aid, gouache on Yupo